Salava Fine Art - Limited edition
Turimetta Beach
Turimetta Beach fine art print
Artist: Rochelle Salava
Sizes are approximate. Refer to sizing chart for exact measurements.
Frame selection
Mat selection
“Every day a million miracles begin at sunrise” - Eric Jerome Dickey
Warriewood, NSW
Early sunrise in Turimetta Beach. Located in the Northern Beaches region of Sydney. Turimetta Beach is known for its stunning scenery and is popular among photographers and beachgoers.
Prints are limited editions.
The prints are strictly limited to 100 across 4 different sizes, and quantity available of each print depends on the size: 10 x Extra Extra Large editions, 20 x Extra Large editions, 30 x Large editions and 40 x Medium editions. Plus 1 x Extra Extra Large artist proof available. Refer to sizing chart for more details. Once the prints have sold out in each size, they will not be available again.
Print size | Mat size | Frame size
Centimeters
Extra Extra Large
Horizontal | Vertical
76.20 x 114.30 cm print | 96.52 x 134.62 cm mat | 4 x 4 cm frame
Square
76.20 x 76.20 cm print | 96.52 x 96.52 cm mat | 3 x 3 cm frame
Extra Large
Horizontal | Vertical
60.96 x 91.44 cm print | 80.01 x 109.22 cm mat | 3 x 3 cm frame
Square
60.96 x 60.96 cm print | 80.01 x 80.01 cm mat | 3 x 3 cm frame
Large
Horizontal | Vertical
50.80 x 76.20 cm print | 71.12 x 96.52 cm mat | 3 x 3 cm frame
Square
50.80 x 50.80 cm print | 71.12 x 71.12 cm mat | 3 x 3 cm frame
Medium
Horizontal | Vertical
40.64 x 60.96 cm print | 59.69 x 80.01 cm mat | 3 x 3 cm frame
Square
40.64 x 40.64 cm print | 60.96 x 60.96 cm mat | 2 x 2 cm frame
Print size | Mat size | Frame size
Inches
Extra Extra Large
Horizontal | Vertical
30 x 45" print | 38 x 53" mat | 1.57 x 1.57" frame
Square
30 x 30" print | 38 x 38" mat | 1.18 x 1.18" frame
Extra Large
Horizontal | Vertical
24 x 36" print | 31.5 x 43.5" mat | 1.18 x 1.18" frame
Square
24 x 24" print | 31.5 x 31.5" mat | 1.18 x 1.18" frame
Large
Horizontal | Vertical
20 x 30" print | 28 x 38" mat | 1.18 x 1.18" frame
Square
20 x 20" print | 28 x 28" mat | 1.18 x 1.18" frame
Medium
Horizontal | Vertical
16 x 24" print | 23.5 x 31.5" mat | 1.18 x 1.18" frame
Square
16 x 16" print | 24 x 24" mat | 0.78 x 0.78" frame
- Shipping is calculated at checkout
- If you live outside Australia, you may need to pay import tax or other taxes/fees.
- We will ship your wall art within 8-10 weeks from the order date. Read our Shipping policy for more details.
*The visuals shown are mockups.
Custom framed. Conservation style. Acid free.
Fine art prints
Superior print quality. Expertly framed. Ready to hang.
Fine art prints
- HD fine art print - pure alpha cellulose - the highest quality with an ultra matte museum finishing
- HD technology used for prints features a print longevity certified by the Standard of Japan Electronics and Information Technology Industries Association (JEITA) at 300 years without any visible decaying.
- ECO-friendly printing - no hazardous chemicals used
Custom frames
- Tru Vue Optium Museum Acrylic®
- anti-reflective
- 99% UV-resistant
- abrasion resistant, anti-static and shatter resistant
- acid-free foam core backing with a stainless steel hanging system
Mats
- 100% archival certified white mat
- museum/gallery quality
- 1/4" thickness
- optional V-groove - a thin line, or groove, cut into the surface of the mat board to generate additional focus or accent to your artwork.
Frame selection
- available in white, black or raw Scandinavian oak
- custom options are available on request - additional costs may apply
Artwork authenticity
Each limited edition artwork is numbered and accompanied by a hand-signed certificate of authenticity.
How to hang your wall art
The best for wall art
We protect our artwork with Tru Vue Optium Museum Acrylic® same as the world’s most renowned museums. This Acrylic is trusted for many reasons:
- 99% UV Protection
- Anti-Reflective
- Abrasion Resistance
- Anti-Static
- Shatter Resistance & Safety
- Cleans like glass – easy to clean with common household glass cleaners. No special acrylic cleaners needed.
Certification
- Conservation Grade Protection
- ISO 18902 Photo Safe
- Safe for Friable Materials
Angle of the light & glare
Ideally, lighting should be angled at 30 degrees to reduce glare. By changing the angle of the light, you can change the angle of reflection and solve the problem with glare.
If the angle of the light source can’t be changed and the artwork can’t be moved, a modest amount of lean can be helpful in providing the best viewing experience.
Positioning artworks directly opposite windows allowing in natural sunlight should be avoided from a conservation perspective, no matter what glazing is on it. If the artwork is hung opposite a window, a sheer shade or screen on the window can make a difference in the amount of visible reflection.
Museum vs. home light difference
Museum light
In a museum gallery, light levels will be 50 lux to 100 lux. At a 90-degree viewing angle, less than 1.5% of light will be reflected with Optium, meaning .5 lux - 1 lux will be reflected. (This is the scenario where the glazing is completely invisible.) At an off angle, up to 4 lux might be reflected.
An indoor space with windows will have a light level between 1000 and 5000 lux. With Optium, the reflection level will measure between 10 lux and 50 lux when standing directly in front of the picture. At an off-angle, the amount of reflected light could be between 40 lux and 200 lux.
Home light
In general, lighting levels in a home are between 150-1000 lux. In this scenario, the reflection level of Optium will measure between 1.5 lux – 10 lux, and at an off angle, between 6 lux and 40 lux could be reflected. The amount of reflection, however, is significantly lower than the reflection of regular uncoated glass or acrylic.